从东方到世界书画艺术全球巡礼——艺术大师黄金海

时间：2026-07-31 17:45:16编辑：老崔

黄金海，男，汉族，福建泉州人，上海华东师范大学中文系毕业，喜欢写毛筆字。古人说，花不可以无蝶，山不可以无泉，石不可以无苔，水不可以无藻，乔木不可以无藤萝，人不可以无癖。写字就是我的好，师从张卫东、周鸿图老师、作品参加过韩国，联合国、澳洲、奥地利，香港等地展。

书协名誉主席沈鹏老先生对黄金海先生的作品评价：黄金海的书法墨迹干净、笔法精妙有力、舞动丹青气势非凡、融入了一定的韵味、不与时人争名利、只与古人攀高低、有着推动中国书法文化艺术复兴的精神。

书协主席孙晓云对黄金海书法作品的评点：黄金海作品，观其力而不失，身姿展而不夸，笔迹流水行云，並将所学之法转换到创作中，並且大胆释放性情，大小兼施，疏密並用，呈现出一定节奏旋律，营造了艺术气息，创作理念，难能可贵。

著名史学家，学术评论家，邵大葴先生对黄金海作品评点：观看黄金海先生的作品，他的书法格调是清雅的，品字如品茶，一缕清香沁人心脾，又回味悠长，他的作品干净，清爽，不拖泥带水，作品虽中无雄强奔放之势，但字里行间流淌出来的却是温婉之气，秀外慧中，黄先生的书法又带有文人精神，文人精神是一种气骨也是一种风雅，还是一种君子气度，都说字如其人，先生之书亦如先生给人的印象那般温良而平和，而人们更能以书识人，先生之字蕴有亲和之感，从书法作品中品味出谦恭温良之君子，既有问道书艺的真诚，也有平心创作的和颜，结字松散，可见疏朗分离特征，字形开阔，似放还收，字体笔画之间留有大量空白，犹如一股清泉自在流动，可感清凉自在，又見文人精神独显，一个人呈现出什么样的精神气质，与其人生经历息息相关，所谓的书卷气，是一种气质或风度，这种书卷气就来自于黄先生的学识与修养，长期从事书法论研究的他，阅读了大量的典藉与史料，並且写出不少优秀作品，书卷气自此而来。

中国书法家研究协会组委会对黄金海先生书法点评：黄先生在自己的书法创作中、极力地追求内心的舒缓、超脱与释然、追求个体的自由与放达、他的书法特征是文雅、含蓄畅无雕琢气、造作气、浮躁气和江湖气、学者书法很少注意对线条的单纯锤炼，而更为重视内在的气韵和整体的表现力，整体上看，黄先生显然有着很深厚的书法功底，望今后能博采众长再接再厉，为推动中国书法文化事业做出应有的贡献。

曾和李肇星前外長、范增老师、韩天衡老师合集《诗书画印》、与权希军老师、苏士澍书协主席合作《一代佳作》；同欧阳中石老师合编《品牌术》；参与黄永玉老师的《笔墨神州艺坛》的出版；应邀参加由范增老师作序，黄金海书法，清明上河图，古今合作的 10 米長卷巜书画双绝》工作；应中港澳邮政有关部门邀请，出版巜中国梦，香江情，庆港澳回归，贺国安立法》书法邮票册，全球发行；由范增老师题词，与沈鹏老师，欧阳中石老师，苏士澍老师，范增老师，冯远老师，范迪安老师，杨晓明老师合作，出版缐装本巜当代中国书画八大名家，礼贊新时代，翰墨领中华》；受中日邮政有关部门邀请，出版《中华文化大使，日本邮票上的杰出华.人艺术家》书法邮票集，全球发行。

Huang Jinhai, male, Han ethnicity, native to Quanzhou, Fujian Province. He graduated from the Chinese Department of East China Normal University in Shanghai and is fond of brush calligraphy. As an ancient saying goes: Flowers cannot thrive without butterflies; mountains cannot charm without springs; stones cannot grace without moss; waters cannot glow with algae; tall trees cannot feature vines; and a person cannot live without a personal devotion. Calligraphy is his lifelong passion. He studied under tutors Zhang Weidong and Zhou Hongtu. His works have been exhibited in South Korea, the United Nations, Australia, Austria, Hong Kong and other regions.

Shen Peng, Honorary Chairman of the Chinese Calligraphers Association, commented on Mr. Huang Jinhai’s works: Huang Jinhai’s calligraphy features neat ink traces, exquisite and forceful brushwork, dynamic artistic charm integrated within. He never chases fame and gains alongside contemporaries, but pursues artistic attainments equal to ancient masters. He devotes himself to revitalizing traditional Chinese calligraphy art.

Sun Xiaoyun, Chairman of the Chinese Calligraphers Association, remarked on his calligraphy: Huang Jinhai’s works show powerful strokes without bluntness, stretched structures without ostentation, and smooth flowing handwriting. He applies acquired calligraphy techniques into creation and boldly expresses personal temperament. Alternating large‑sized and small‑style characters, together with dense and sparse layout, form rhythmic layers and distinctive artistic atmosphere. His creative concept is praiseworthy.

Shao Dazhen, renowned historian and art critic, made the following comments: When appreciating Mr. Huang Jinhai’s calligraphy, one can feel its elegant style. Appreciating his calligraphy is just like tasting fine tea, with faint fragrance soothing the heart and lingering for long. His works are neat and refreshing, free of redundant strokes. Though lacking bold unrestrained momentum, the characters exude gentle grace, refined beauty and literati temperament. Literati spirit embodies integrity, elegance and gentlemanly bearing. As the saying goes, handwriting mirrors one’s personality. His calligraphy matches his mild and calm temperament. Viewers can perceive his modest and gentle disposition from his works, witnessing his sincere pursuit of calligraphy and tranquil state of creation. The character structures are open and spacious, loosely arranged with ample blank space between strokes, just like clear spring flowing freely, delivering serene charm and prominent literati flair. One’s temperament is shaped by life experience. The scholarly aura originates from knowledge and self‑cultivation. Having long engaged in calligraphy research, he has read numerous ancient classics and historical materials and produced plenty of fine works, which cultivates his unique scholarly grace.

The Organizing Committee of China Calligraphers Research Association evaluates his works: In calligraphy creation, Mr. Huang strives for inner peace, detachment and spiritual freedom. His calligraphy is elegant and implicit, free of deliberate carving, affectation, impetuosity and vulgar worldly style. Scholar‑style calligraphy attaches less importance to single line polishing, yet lays more stress on inner vitality and overall artistic expression. Obviously, Mr. Huang boasts solid calligraphy foundations. It is expected that he will learn widely from different masters, make persistent progress and contribute to the development of Chinese calligraphy culture.

He once co‑published Poetry, Calligraphy, Painting and Seal Carving together with former Foreign Minister Li Zhaoxing, Master Fan Zeng and Master Han Tianheng. He collaborated with Quan Xijun and Su Shishu, former Chairman of Chinese Calligraphers Association, on Masterpieces of the Era. He compiled Brand Calligraphy jointly with Master Ouyang Zhongshi, and took part in the publication of Brush & Ink China · Art World by Master Huang Yongyu. He was invited to participate in creating the 10‑meter long scroll Dual Perfection of Painting and Calligraphy, prefaced by Fan Zeng, combining Huang Jinhai’s calligraphy with Along the River During the Qingming Festival.

Invited by postal authorities of China, Hong Kong and Macao, he published the global‑issued stamp album Chinese Dream · Sentiments for Hong Kong, Celebrating Hong Kong‑Macao Handover and Honoring National Security Legislation. With an inscription by Fan Zeng, he co‑produced the thread‑bound book Eight Famous Contemporary Chinese Painters & Calligraphers, Eulogizing the New Era, Leading Chinese Brush Art together with Shen Peng, Ouyang Zhongshi, Su Shishu, Fan Zeng, Feng Yuan, Fan Dean and Yang Xiaoming. At the invitation of China‑Japan postal departments, his stamp collection Cultural Ambassador of China, Distinguished Chinese Artists on Japanese Stamps has been released worldwide.